-
That's a Wrap!
Thanks to everyone who joined us at Frieze No.9 Cork Street to celebrate Tracing Time, our second annual exhibition.
At Trois Crayons, our aim is to connect the global drawings community, so thank you for showing up once again and showing your support. It’s been a pleasure to share Tracing Time with both familiar faces and first-time visitors.
Keep an eye out for event recordings, updates on our social channels, and features in our monthly newsletter. -
Trois Crayons Museum Forum
We are delighted to announce the launch of the Trois Crayons Museum Forum, an innovative digital platform dedicated to the discussion and identification of pre-modern drawings in public collections.
Launched in the summer of 2025, this international subject specialist network fosters collaboration between curators, scholars, art dealers, and the wider public.
-
Newsletter of the month
Greetings from Trois Crayons HQ where our summer exhibition, Tracing Time, is in full swing at No.9 Cork Street. Our thanks to all who have visited so far and to those who have taken part in the events programme. The exhibition runs until Saturday, 5 July, and is open to all. Registration remains open for the remaining live events, including panels on Italian Renaissance drawings, the impact of digital platforms on access to the drawings market, the relationship between drawings and ceramics, and the drawings of Antoine Watteau.
Today, we are delighted to announce the launch of the Trois Crayons Museum Forum, a social network for the global drawings community to exchange ideas around drawings from public collections. As part of an event in the No.9 Cork Street auditorium, Tom will briefly present the forum this afternoon, 2 July.
Regular newsletter service resumes with a round-up of the month’s leading drawings news stories, upcoming events and exhibition listings, a ‘Drawing of the Month’ from the National Gallery of Canada provided by Sonia del Re, and the customary selection of literary and audio highlights.
-
Trois Crayons
Trois Crayons celebrates the art of drawing from the 15th to the 21st century. From in-person exhibitions and collaborative events to our monthly newsletter and social media activity, we connect the global drawings community.
newsletter

Sonia del Re, Senior Curator of Prints and Drawings, National Gallery of Canada, Ottawa, has kindly chosen our 22nd drawing of the month.
William Satloff, former Graduate Curatorial Intern at the Clark Art Institute, has kindly chosen our 21st drawing of the month.
Laura Staccoli, Ph.D. Candidate, History of Art, Senior Graduate Teaching Assistant, University of Warwick, reviews ‘The Carracci Cartoons: Myths in the Making’ on view at The National Gallery, London until 6 July 2025.
Christof Metzger, curator for German and Austrian Art until 1760 at the Albertina, Vienna, has kindly chosen our 20th Drawing of the Month.
‘Henri Michaux: The Mescaline Drawings’, a Q&A with Dr Ketty Gottardo, Martin Halusa Curator of Drawings at the Courtauld Gallery
For our 19th drawing of the month, Linda Karshan, artist and collector, reflects on a highly personal drawing, a gift to the Courtauld Gallery in memory of her husband, Howard Karshan, and a highlight of the current exhibition, ‘Henri Michaux: The Mescaline Drawings’.
‘Lines of Connection: Drawing and Printmaking 1400-1850’ with Edina Adam and Jamie Gabbarelli.
Dr Axel Moulinier, collaborator on A Watteau Abecedario, catalogue raisonné of the paintings by Antoine Watteau, under the supervision of Pr. Emeritus Martin Eidelberg, has kindly chosen our eighteenth drawing of the month.
An introduction to ‘The Drawing Foundation’ with Allison Wucher, Simon Levenson and Daniella Berman.
Dr Oliver Tostmann, Susan Morse Hilles Curator of European Art at the Wadsworth Atheneum, Hartford, has kindly chosen our seventeenth drawing of the month.
Martin Clayton, Head of Prints and Drawings at the Royal Collection Trust, has kindly chosen our UK drawing of the month.
Dr Rachel Hapoienu, Assistant Curator of Works on Paper at the Courtauld Gallery, London, has kindly chosen our sixteenth drawing of the month.
Nigel Ip (Print Quarterly), reviews ‘Drawing the Italian Renaissance’ at The King’s Gallery, London.
About us

Trois Crayons was founded by Alesa Boyle, Tom Nevile and Sebastien Paraskevas with the aim of increasing the awareness, accessibility, and visibility of drawings in all their forms.
Trois Crayons offers a centralising space for all drawing-related activity worldwide, to facilitate and encourage engagement with the historic “father” of the arts. From in-person exhibitions and collaborative events to our monthly newsletter and social media activity, we connect the global drawings community.
The name, Trois Crayons, derives from the French term meaning “three crayons”, a drawing technique using black, white and red chalks which rose to prominence in mid-18th century France and has a particular aesthetic appeal when used in combination.
The art of drawing has a rich and fascinating history which is ever relevant to the present moment. In the words of Vincent van Gogh, “drawing is the root of everything”. To Giorgio Vasari, the 16th century biographer, artist and art historian, drawing (disegno) was both an intellectual and practical process, it was the father to the arts of painting, sculpture and architecture and fundamental to all creative processes.
Trois Crayons champions this primacy of drawing and simplifies access for the digital generation to all the disparate elements that make up today’s world of drawing.
Follow us on Instagram
@troiscrayons
